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CHICAGO TRIBUNE REVIEW: SETH MEYERS & JILL BENJAMIN SHOW

Past is always present at Chicago Improv Festival

By Chris Jones
Tribune theater critic
April 27, 2007, 11:58 AM CDT

Flash back to 1999 at the Live Bait Theater. Typically a sparsely attended joint, the place is packed, mostly with urban singles headed later to the bars. They’ve come to see a hilarious dating-themed improv show performed by a quirky, over-the-top blond woman named Jill Benjamin and her smooth, camera-ready partner, Seth Meyers. It’s clear that the out-there, faux-ditsy Benjamin — who lands somewhere between Melissa Rivers and Sandra Bernhard — is the more distinctive talent that no one with power and money will ever quite know what to do with. It’s equally clear that the handsome, whip-smart, adaptable Meyers will be the one with the big career.

And so it worked out.

Meyers sits behind the Weekend Update desk on “Saturday Night Live.” Benjamin improvises in clubs. But on Thursday night at the 10th Annual Chicago Improv Festival, they were back together, doing the same killer show, the one that ended their partnership and sent their careers shooting in different directions after an “SNL” scout saw the show at, ironically enough, this very festival.

Nostalgic reunions are an integral part of CIF, which continues through Sunday. Instead of confining itself mostly to the Athenaeum Theatre (the location of Thursday night’s show), this year’s festival switches locations. Late on Saturday night, Meyers’ “SNL” colleague, Amy Poehler, is slated to show up at Park West to improvise with the Upright Citizens Brigade. And writers and performers from MAD-TV are in town.

But Thursday night belonged to the hot Benjamin and the cool Meyers. Even in 1999, “Pickups and Hiccups” was an extraordinarily good show (I saw it three times), not least because it was uncommonly funny and uncommonly polished. Even though their scenarios were built from audience suggestions, Meyers and Benjamin built the tightest of structures — climaxing in a moment when Meyers reprised every suggestion of the night (in order), as part of a stream-of-consciousness splurge that revealed his astonishing memory. Every moment snagged a laugh. Every transition was incisive. Every observation was smart.

At appearances such as this, plenty of performers get sloppy, hoping fame and nostalgia will suffice. Not these guys. The warring daters might be facing middle age now, but that only deepened the desperation of their scenarios. As before, the show relied on an unspoken but evident subtext — the needy character gal who wants and deserves but doesn’t ever quite get the handsome leading man. From one side or another, it’s a power game every single person understands. And Meyers and Benjamin, two of the brightest comic talents ever to emerge from Chicago, have had that shtick down for years.

“Your energy’s too hot,” said Meyers to Benjamin at the top of the show.

“You said to be splashy and flashy,” said Benjamin, put out.

“My advice,” said Meyers, icily, “never rhymes.”

Copyright © 2007
Chicago Tribune

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LA WEEKLY REVIEW: WIZARD FINGER

LA WEEKLY REVIEW

By Paul Birchall
February 25, 2005

WIZARD FINGER
Part open mic, part rave and part circus, this neo-millennial variety show hosted by creators Jill Benjamin and Kara McNamara offers a little bit of everything, from monologues to music to acrobatics. The night reviewed offered a beguiling series of eclectic spectacles, opening with shaggy-looking, denim-clad country crooner Zach Selwyn, warbling a witty honky-tonk rap entitled “Cartoons I’d Like To Fuck.” He was followed by snappy monologues by Benjamin, reciting her hilarious tale of spending one night in the entourage of actress Lindsay Lohan, and by comedian Hayes MacArthur, fondly describing a family friend who happened to be a legendary professional wrestler. There were also two house bands — one a sort of drum circle, and the other a fusion group that plays surprisingly tuneful jazz covers of Black Sabbath songs. But the show’s most astonishing moments come as the audience is sent into the alley to watch the fire gymnastics of the Indra Yoga and Dance Troupe, who whirl flaming Hula-Hoops and toss fire batons under the full moon. Though the show changes every week, the one I saw flowed like a dream, celebrating a wide range of local artistry. Art Players Studio, 6585 Santa Monica Blvd., Hlywd.; Wed., March 2, 8 p.m. (310) 966-3672. Written 02/25/2005 (Paul Birchall)

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CHICAGO READER REVIEW: SETH MEYERS & JILL BENJAMIN SHOW

Pick-ups and Hiccups

Even the best Chicago-based improv troupes can suffer from lassitude, knowing they don’t have to try too hard because their fellow improvisers in the audience will stick with them no matter what. Jill Benjamin and Seth Meyers are a little different, however: ImprovOlympic alums, they really earned their chops before paying crowds at the Amsterdam-based for-profit Boom Chicago–and it shows in their energy, their accessibility, and their constant interaction with the audience. In this remarkably entertaining two-person show, they don’t just take suggestions–they interview the audience, picking our brains and then presenting improvised sketches about what’s on our collective mind. In one hilarious routine, Benjamin and Meyers created a prototypical date complete with idle chitchat and confessed ambitions made up entirely of details culled from the audience. Adding to the onstage fire is Benjamin and Meyers’s combination of sexual tension and disgust with each other, a combination that also powered other great male-female comedy teams (Nichols and May, Stiller and Meara). Half the bits in Pick-ups and Hiccups are scripted, but it’s the improvised material that shows this quick-witted duo to best advantage. Live Bait Theater, 3914 N. Clark, 312-409-0119. Through June 5: Saturdays, 11 PM. $12. –Jack Helbig